52nd International Conference on
Improving University Teaching
Conference theme: “Connecting Across Cultures”
July 15-17, 2026
Closing Keynote:
Digital tools become obsolete. Creative thinking doesn’t.
In an era defined by rapid technological change, educators face a deceptively simple but profoundly urgent question: what are we actually teaching when we teach with digital tools? This keynote argues that the thinking behind the tools matters more than the tools themselves, and that the most enduring gift an educator can give a student is not fluency in any particular platform, but the creative confidence and critical capacity to work purposefully across whatever tools the future demands. Drawing on our recent book The Student Guide to the Creative Studio in the Digital Age, and work on the National Curriculum Review, we argue for a fundamental reorientation of how digital creativity is understood and taught. Rather than positioning the classroom as a space for tool acquisition, we propose a vision of it as a creative studio. A dynamic, expansive environment that may be physical, digital, or hybrid, and that foregrounds creative process over technological output.
Our talk will explore three interlocking ideas:
- Creativity is not a product of tools, but a disposition cultivated through practice. In a world where software is superseded and AI can generate outputs at scale, the competitive edge for learners lies in their capacity for original thinking, experimentation, and purposeful making.
- Play is a pedagogy, not a distraction. Playful approaches to digital creativity, including game-based learning, making, and exploratory problem-solving, are not merely engaging; they are epistemologically powerful, building the kind of resilient, adaptive thinking that no app can replicate.
- The studio must expand. The concept of the creative studio can no longer be confined to a university building or a prescribed set of licensed software. It must encompass home offices, online platforms, collaborative digital spaces, and the student’s own imagination, positioning every learner as a practitioner capable of building and sustaining a creative life.
Grounded in both practice and theory, and informed by contributions from industry experts and education specialists, this keynote challenges educators at every level to reconsider their assumptions about digital creativity, not as a technical skill to be delivered, but as a human capacity to be cultivated. It offers practical implications for curriculum design, assessment, and the role of play in higher education, and invites the audience to ask not which tools they are teaching, but what kind of thinkers they are helping to build.
Keynote Speakers:
Dr. Denitsa Petrova is a Lecturer in Digital Design, Edinburgh College of Art, University of Edinburgh.
She is a creative practitioner, lecturer and educationalist. She completed a PhD in Digital Media and Art in Public Space at the University of Edinburgh, focusing on the potential of the Social Web as a catalyst for shared creativity in public spaces. With several years of experience in the creative industry, Denitsa now teaches courses in User Experience Design, User Interface Design, and Digital Art. She is currently directing the MSc programme in Digital Media Design. Denitsa has led and participated in several research projects exploring tools for digital teaching and collaborative learning. Her current research focuses on online pedagogy, leveraging digital tools for education, and harnessing the power of generative artificial intelligence in academic and creative contexts.
Dr. Doug Specht is a Chartered Teacher, a Principle Fellow of AdvanceHE and Head of the School of Media and Communication at the University of Westminster.
His research explores themes related to environmental justice, human rights, and access to education, with a focus on the production and codification of knowledge though cartographic artefacts and in educational settings. In recognition of his work, he has been appointed as a Chartered Geographer and has been awarded Advanced Teacher Status. Dr. Specht has authored numerous articles and books, including Mapping Crisis, the Routledge Handbook of Geospatial Technology and Society, the Media and Communications Student Study Guide and Imagining Apocalyptic Politics in the Anthropocene. He is a columnist at Geographical magazine, and also writes regularly on ethics, environmental and human rights, education, and mapping practices in such publications as WonkHE, The Conversation, and for Times Higher Education.


